Afro Latino Culture Analyzis Presentation
Description
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SPECIAL PROJECT
Objective: The objective of this project is for students to explore the interconnected variety of musical, dancing and spiritual genres deriving from Africa in the Americas which continue being interconnected with a holistic African culture. Students will also articulate the interrelation between spirituality and Afro-latino cultural production and should be able to distinguish it from Western/European definitions of performative art and cultural movements.
Instructions:
Choose any cultural and/or spiritual aspect/production/practice such as a ritual, festival, performance, music/dancing genre by African descendants in Latin America and/or Afro-Latinos in the U.S. associated with Africa, African culture and/or African religion, then:
- Give a description and/or definition of such aspect (e.g. religious practices such as Santería, Palo Mayombe, Candomblé or Gagá; musical/dancing genres like Palo, Bomba, or Rumba, etc). It could be a historical (already happened) or a present-day activity. Check in with the instructor if you have questions.
- Discuss its African roots/origins. How does this cultural production of choice maintain a holistic African culture? What makes it African and not European or Indigenous?
- Comment on its significance in Latin America today. Why is it important?
- Discuss its significance to Afro-Latinos today. What’s its role for African descendants?
- Comment on the role of spirituality, if applicable, in such cultural manifestation.
- Include why you choose this site/aspect/cultural practice and why did it interest you
Unit IV materials:
- Unit IV Presentation on African ontology.
- Read Murrell’s (2009) “ Historical Roots of Afro-Caribbean Religions ” and at least two of the readings listed below:
- Moreno Moreno – Alternative Formats (2010): “The Yoruba Orisha Tradition Comes to New York City.”
- Tallaj (2006): “‘A Country That Ain’t Really Belong To Me’: Dominicanyorks, Identity and Popular Music.”
- Jottar (2009): “The Acoustic Body: Rumba Guarapachanguera and Abakuá Sociality in Central Park.”
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